Top of the world: a global cross-cultural review of spinning tops

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Abstract

The spinning top is one of the most globally ubiquitous forms of traditional object play, with an archaeological record that spans over five millennia. Yet the top has never been subjected to a systematic cross-cultural analysis. Here, we present a global study covering 1391 spinning tops from 347 past and contemporary societies. Using a geographically explicit dataset, we measure whether different top types exhibit spatial clustering indicative of cultural transmission, or random distributions suggestive of independent convergent evolution. We find that mechanically simpler designs, such as twirlers and whip-tops, are distributed near-randomly worldwide, suggesting frequent independent reinvention. In contrast, the mechanically opaque peg-top is clustered across South and Southeast Asia, reflecting regional cultural transmission. Furthermore, we discuss how tops appear in other social contexts, such as competitive games, agricultural rituals, and spiritual practices. Drawing on ethnographic and archaeological data, we argue that spinning tops likely represent a much deeper, potentially Late Pleistocene, behavioural ancestry than is currently recognised.

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